 |
| CAW's digital-to-film services are used by: |
 |
 |
Institutions that want an archival, human-readable object to provide security for their digital assets
|
 |
 |
Institutions that are digitizing for access, but still want the ability to make traditional prints
|
 |
 |
Photographers who need enlarged negatives for use with a specific contact printing medium
|
 |
 |
Photographers who need to repair blemishes or want to engage in extensive image manipulation
|
 |
 |
before making traditional prints by contact or enlargement
|
 |
 |
Photographers who shoot digital, but need traditional film negatives
|
 |
| At CAW: |
 |
 |
Films used for LVT outputs are traditional silver halide films such as Kodak T-Max 100 and
|
 |
 |
Ilford FP-4+.
|
 |
 |
Films are archivally processed. Processing lines are regularly tested for consistency and
|
 |
 |
residual hypo, using methylene blue testing by an outside lab.
|
 |
 |
LVT negatives are truly continuous tone. They show no pixels, raster lines, or stochastic
|
 |
 |
patterns.
|
 |
 |
All files receive a selected output curve prior to exposure. These custom curves allow the
|
 |
 |
LVT to produce negatives that will print easily to a selected media. The intent is to bridge and
|
 |
 |
match the screen image to the final print image.
|
 |
 |
All films are processed to a density range appropriate to the printing material that will be used. |
 |
 |
We can output from your files or ours. We can also digitize and deliver the file to you for
|
 |
editing, and produce the LVT output when we get it back.
|
 |
 |
Files may be sent to us on CD or DVD, via FTP (Click here for instructions), or for large
|
 |
 |
institutional projects, on a hard drive.
|
 |
| Photographic films (color or b/w) exposed on LVT film recorders are not to be confused with other digitally produced negatives such as ink jet outputs on Pictorico OHP film or outputs using HP's Large Format Photo Negative application. LVT outputs are on conventional silver film and bear all the visual, printing and archival attributes of any traditional photographic film. |
 |
 |
 |
 |